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Beretta SL3 Review from the Beretta Factory
A.J. DeRosa, founder of Project Upland, is a New England…
A look into the new Premium Grade Beretta SL3 in words and film
The screen above me said my flight was on time, and after a 2 1/2 hour drive to the airport I needed that good news. It was winter in Boston and a storm had delayed just about every flight. International is always tricky, and as I stood in line to check my bags an email made quick work of my hopes.
Flight canceled.
There I stood, hours from home wondering how in the world am I ever going to get to Italy for the 72-hour window I had to tour Beretta—to be fair, something I was giddy about. Soon I was on a call with the travel agent and the folks from Beretta to resolve the issue. The travel agent wanted to make travel easy on me, but I was determined: get me there as soon as you can. I can sleep when I get back stateside.
My answer came in a crazy travel barrage that involved driving between airports in rental cars and all sorts of minor details that seemed daunting with a ticking clock going. But I made it. And as you can watch in the video, I got to experience 500 years of the Beretta tradition.
The first day I did not sleep. We went straight to the Beretta factory in the Province of Brescia, Italy. There were a number of industry writers and editors present when I arrived—big names like Garden and Gun, Shooting Sportsmen, and Wildfowl. I stood there with my camera, out of place, but ready for whatever an editorial trip entailed. Then I spotted a familiar face: Gregg Elliot, writer and owner of Dogs and Doubles. The ice was broken for my introvert engagement and we began our way into the reveal of the SL3 in the Beretta Premium line.
The Beretta SL3 is sleek. In fact, I will never forget how Roberto Zarrillo, who is charge of the Premium Business in Italy, described the design as the flow of a ponytail in his thick accent. Take high-end Italian cars, apply it to shotguns, and you land at Beretta Premium. Probably why their running video of the Beretta SL3 shows an Italian sports car—it confused me a bit at first until I got my hands on one.
The Beretta SL3 is a marriage of the cutting-edge technology Beretta is known for and the old-world craftsmanship of handmade guns. I think it is always necessary to point out the success and reliability of the Beretta 686 as a staple in a world of over-and-under shotguns. This shotgun is worlds past that, which leads to the why and how.
The SL3 is a box lock design, simple and reliable mechanics that are anchored at three separate points. Beretta threw 11,500 magnum rounds through this masterpiece and it came out locking the way it did at the start. The trigger is the same used on their competition shotguns, which have a lot of medals to show for it.
Like all of Beretta’s over-and-unders, it is built with a mono-bloc barrel. It’s widely agreed upon that they make the best mono-bloc barrels in the world so there is something to say for that. At one point we sat in a boardroom and talked to an engineer who went through the science of how they reduced recoil in barrel design. Over my head, I’m not even going to try and repeat it. For the sake of my skillset and simplicity, I will say as someone who hates 12-gauges, it did not have much of a bite to it at all.
The science inside the Beretta world I think is what took me most by surprise. The research that is going on to better improve their product through 3D printing, virtual imaging, and god knows what else was going on around me. You can understand why its products hold up over time.
Shotguns are like ice cream flavors: we all have our picks. And as a lover of side-by-sides shotguns I will say that, although I shot this shotgun well, it is not on my wish list. Maybe if they had only had a 20-gauge or 28-gauge when I was there, they could have swayed me. Lately, I have mused more on the idea of single shotguns that you will never have to replace, a shotgun that can be passed on and stand the test of time. This shotgun falls in that realm and, carrying a price tag of $20,000, it makes sense that this is a legacy gun.
This shotgun can take a few months to turn around as much of the work is still handmade in the Beretta factory under the watchful eyes of Maestro Ferdinando Belleri, including an in-house custom case. He really fulfilled any childhood imaginations I had about what master gunmakers should look like and carry themselves. But that says something about this shotgun; each one will pass through this man’s hands before it reaches the States. That detail is across the whole process.
Eventually, my trip came to an end. My 72 hours exploring the Beretta SL3 had been more than I could have imagined. I had seen Roman ruins, the private Beretta museum, ate good food, and, of course, enjoyed good Italian wine. And a part of me wishes I could take an SL3 for another spin back stateside in the grouse woods of the North Country.
A.J. DeRosa, founder of Project Upland, is a New England native with over 35 years of hunting experience across three continents. His passion for upland birds and side-by-side shotguns has taken him around the world, uncovering the stories of people and places connected to the uplands. First published in 2004, he wrote The Urban Deer Complex in 2014 and soon discovered a love for filmmaking, which led to the award-winning Project Upland film series. A.J.'s dedication to wildlife drives his advocacy for conservation policy and habitat funding at both federal and state levels. He serves as Vice Chair of the New Hampshire Fish & Game Commission, giving back to his community. You can often find A.J. and his Wirehaired Pointing Griffon, Grim, hunting in the mountains of New England—or wherever the birds lead them.